Broadway Access Review -
Punch
Find my other reviews & learn about my reviews here
ID: image of the Punch Playbill in front of the stage with the text "Access Review" on top
General Note
This is a review of the accessibility of the theater, of the lighting/sound/scent design of the show, and a list of content warnings as a way to prep folks with various needs before they go see it.
This is not meant to scare anyone away from seeing the show. Most productions have about the same amount of content warnings and sensory warnings to go along with it, they’re just rarely explicitly written down.
For some people, knowing these things ahead of time makes it easier to enjoy the show because they know what to expect. And, often, makes those people more likely to see it in the first place. I hope that it’s helpful!
I am also happy to clarify any specifics, just send me a message or an email and I will respond when I can.
Also please note that I make these while seeing a show for the first time, so I may miss some cues or be slightly off as to their placement/cue line!
Theater
Samuel J. Friedman Theatre
All comments on the accessibility of lighting are in reference to seats in the front right mezzanine
Bathrooms:
divided into the binary, though there is a sign that says “Please use the restroom that best aligns with your personal gender identity and expression”
located downstairs beneath the orchestra and two levels above the orchestra
Other theater accessibility:
the theater’s entrance has 3 steps to the orchestra (and some steps in the orch), but the elevator is step free
all levels of the theatre are wheelchair accessible
they offer assistive listening and hearing aid compatible devices, captioning devices, AD headsets, and braille/large print Playbills
Click here for more information on the physical accessibility of this theater.
Light/Sound/Scent
General:
The show is primarily structured around a narrator and then the ensemble around him constructs every single moment of his story, so it’s fast moving with lots of very fast lighting shifts and sound cues that made notation both nearly impossible and ultimately unhelpful for a viewer. The various cues used are light haze/smoke, white strobes at half dim, alternating down lights (colored and not), a quick white wash over the audience, and music with a bit of a loud/physical beat to it. These cues appear very frequently, but none ever last (with the exception of the music) for longer than about 5 seconds consecutively (unless noted), though sequences of things can be up to several minutes.
The sensory accessibility of this show is very similar to that of a slightly more sensory friendly production of The Curious Incident of the Dog in the Night-Time. It’s also semi similar to that of Dorian Gray
I didn’t need earplugs, I might suggest bringing them, but do note that they all use various British accents which may be difficult for auditory processing!
Pre Show: quiet volume music playing + bird noises
Act I:
“I don’t think I’ve had real champagne before” - loud champagne cork sound
loud phone ring when he goes in for a punch (with accompanying white wash over audience)
“the Alton Towers theme park” - 10 sec white down strobe with screaming
loud phone ring after Jacob runs out with the folks in green uniforms
loud noise when he goes in for a punch
he puts a match into a trash can and there is a very small fire, but there is no smoke or associated noise
“Yes. Okay. Yes.” - followed by a loud transition
loud slam noises after “but it really does slam shut”
loud bass & some quiet fireworks noises after “more of a thud” for ~30 sec
noise after “it is what it is”
Intermission: music/sound returns
Act II:
crackers go off on the “happy New Year!” after the countdown
gets flashy & smoky after the man in leather yells “Jacob!” for about a minute
“Yeah, he’s alright. And you?” - loud school bell
Content Advisory
child loss
parent loss
grief
PTSD
drug use
imagery & discussion of the justice system
discussions around autism (and lack of disability support)
descriptions of violence
descriptions of medical things/taking someone off of life support